|
discussion of how Native Americans have been
portrayed--including the photographer who brought a trunk of costumes with
him to dress Native Americans the way he wanted them to look in his
pictures.
The three episodes, The Developing
Image 1900-1934, The Photographic Age 1935-1959, and
Photography Transformed 1960-1999, are educational and
entertaining. Whether you've enjoyed National Geographic or Life
magazine, or are interested in photography or 20th-century history, this
will make a great addition to your video collection. --Tara Chace
________________________________________________________________
Product Reviews:
   
"A Century of Images" gets to the heart of America's photographic
obsessions, August 27, 2005
Reviewer: David Blumenkrantz
The folks at PBS deserve the gratitude of photography teachers and
students everywhere. Taking on subject matter as impossibly broad as
photography in 20th Century America? This documentary covers-- sometimes
comprehensively, sometimes briefly-- virtually every important topic
germane to the field of study, from Pictorialism to Straight Photography,
from fashion to the scientific. Along the way, we are introduced (or
reintroduced) to what has been the medium's most important uses:
journalism and documentary. "A Century of Images" is as instructive for
the novice as it may be reaffirming to those already familiar with much of
the material. Underlying a wealth of historical examples and anecdotes are
the two twin themes that raise this effort above the mundane: concern over
the ethical issues photographs present, and the effects of mechanically
produced images in the post-industrial age on the psyche of our nation.
These themes manifest themselves in ways that are often revelatory and
moving. One memorable example: the way Edward Curtis's images of Native
Americans are placed into context by a woman who appreciates them, yet
yearns for more images that show her people the way they "really were."
Sections on war photography cover WWI, WWII, Vietnam and the Gulf War with
compassion, and work as excellent visual aids to discussions on todays
situation in Iraq. Another bonus: the section on the transition to a
digital age has not yet outlived its usefulness.
Until I was able to buy this fabulous history on DVD, my biggest complaint
was that while using the VHS version, I had all kinds of problems locating
the various scenes I wanted to pull out to show my photography and visual
communication courses at the university where I teach. Now that I can
happily locate scenes at will using the DVD menu, I can direct my ire at
its few but significant omissions and shortcomings. More on Walker Evans,
Robert Frank, Diane Arbus please . . . . they were pretty damned
influential.
________________________________________________________________
Back to American Photography
|