Although the majority of the book is clearly dedicated to Leica equipment, also these Leica specific chapters are interesting for non-Leica owners, since the entire book is filled with discussions on how one can best photograph certain situations, what the effect is of chosing a certain lens/aperture/shutter speed etc. Also, throughout the entire book many photographs (both color and B/W) are shown that illustrate the text and these photographs not only show what the author means, they are also proof of the quality of Leica equipment: the photo's are in general of very high quality, both technically, but also artistically (i.e. with carefully chosen cropping, lighting, perspective, etc.). It makes you very appreciative of the quality of so-called 'old' equipment!

For me, the added value of the book is that it helps you building up a thorough understanding of photographic techniques, and to understand the technical aspects in depth. This is not a book for the casual snap shot photographer, who does not want to know how things work. It is for the seriously interested amature and for people with an interest in science/engineering of optical equipment. And of course for the real 'Leica fetishist'.

Other things I can mention about this book:
- the table of contents spans 6 pages and is not so clear and concise; the index however is ok.
- there is also quite some text dedicated to history of the very old Leica bodies; I find this personally not so interesting.
- not a single word is mentioned about digital.
- the physical quality of the book (binding, paper quality, layout) is very good.
Bottom line:
The book is clearly written by a knowledgeable author, and everything is well presented so reading the book is a joy. I think I will read parts of this book over and over again. Many of the techniques described are timeless: in 20 years from now they will still apply, no matter how 'automatic' and 'digital' cameras will become. Although I have read quite some books on the topic, and have a technical background myself, I learned many new things by reading this book. It is worth its price. I can recommend it very much. ________________________________________________________________

   
 Missed the first Osterloh book? Get this edition!, May 20, 2005
Reviewer: Albert G. Smith Jr.

Given the fairly narrow scope of the Leica camera system when compared to say Nikon or Canon, I am guessing that if you are reading this, you know what you are looking for in an instructional book on the M series camera and lenses. You might also know about the previous Osterloh book on this very topic, which long out of print has developed a cult status among Leica users on the web. Those of us that have the first book love it, but it is known to have a deadly flaw in the binding, which allows the pages detach readily. My copy has very few pages that are still connected to the cover making reading (as a book) very hard to do. Reading it now means a large spread of loose pages covering the kitchen table.

When this new edition was announced, I pre-ordered it hoping that it was at least half as good as the first book. I need not have worried. It is a fine replication (often word-for-word) for those that never were able to find the first book, as well as a good replacement for those of us that wish to have more robust binding on what would surely be a very frequently referenced book.

In short, this is THE book for the Leica M shooter, and a book that is second to none where technique is concerned. Osterloh is not a company "yes man"; but a person that has actually used the Leica M, knowing it strengths as well as its weaknesses. Unlike some books, this one tells you if a certain lens requires stopping down to get good, or when it might be better go to an SLR. One technique taught (and carried over from the first book to this one) for shooting with a 35mm lens without viewing, and still being able to visualize what will be caught on film, was worth the price of my first book since it has rewarded me with hundreds of fine Leica-style candids since I read it in the 1980s. This is a book for Leica users, not collectors. This book will make you more effective as a photographer with the M camera.

There is one weakness that cost my review that half of a star. I would say that Osterloh should have reprinted the reviews and information from the first book on the lenses that have been superseded since that edition. He had a comprehensive list of the then current lenses in his first book, and the same for the second book. Those lenses that have been replaced with more modern designs (21mm Elmarit, 28mm Elmarit, 35mm Summicron, 90mm Tele-Elmarit, 135mm Tele-Elmarit) have been dropped from the lens chapter in the new book. Since the bodies section goes back to the 1950s M3, keeping some 1980s lenses in the book would have been more inclusive. It would have been easy to do since that text already existed in the first book. Leica users are famous for using old gear, so the addition of these older lenses in the new edition would have made this fine book even more complete.

The bottom line, after spending thousands of Dollars on the hardware of a Leica M system, this book at under 30 Dollars (discounted) will make that gear investment even more productive for those that really want to be photographers rather than snobbish "camera-as-jewelry" wearing posers.

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